Wednesday, August 24, 2016

Not without my daughter - Betty Mahmoody

When west meets the east, there will be quite a few cultural differences that will come to the fore front. And, if this meeting happens in the worst possible situation, then the list of differences go a long way and in the most gruesome manner.  Dear Readers, let me introduce you all to one such terrible meeting in the form of the book “Not without my daughter”, written by BETTY MAHMOODY.

“Not without my daughter” tells you the real experiences of Betty Mahmoody (author) in Iran during 1980s after the Iranian Revolution. It gives you the shocking ordeals that Betty goes through in Iran and her desperate attempts to get out of Iran with her daughter. Betty is an American woman who visits Iran along with her American-settled Iranian husband and their American-born daughter for a 2 week vacation to meet her in-laws. Betty goes through the cultural shock with patience for 2 weeks only to know that she has been duped by her husband who has made plans of settling down completely in Iran with his wife and daughter. What follows from here on is the desperate struggle of Betty to get out of Iran with her daughter even at the risk of getting killed by her husband and the Iranian Government.

While the book gives away the main idea of the story in its preface itself, what gets you hooked on to the book is the experiences that Betty goes through every day of her life. Over a period of time, the reader starts routing for Betty and sympathizes with her in all her attempts to succeed, her failure, her agony, the torture which she goes through, her re-attempts and her culture-shock.  One reason for this could be that the reader would not be happy to know what the women are going through in Iran and how they are reduced to individuals without identities, if not for a man beside them. Though I feel that Betty has exaggerated some of her cultural shocks to the extent that you easily realize she is exaggerating, one still feels upset after reading what she has gone through in Iran. It also strikes a thought in the reader’s mind that if this is what just one woman has gone through, then how about the others? If foreigners are made to experience this disgusting face of life, then how about the Iranian women who have their life defined and restricted within the borders of Iran.
While Betty’s attempts to escape from Iran forms the back bone of this book, it also opens up a whole lot of information about
·         The culture shock  faced by an American ( woman specifically) in Iran
·         Absurd and in-human Iranian Laws
·         Anti-American movement in Iran
This book acts as an eye opener into the day-today life of common people in Iran, which is otherwise kept away from the rest of the world. It’s been over 20 years since this book was written and I hope that Iran has changed a lot from there onwards. Even though I like Iran on certain grounds, I would never support the Iranian laws that have been mentioned in this book. I do condemn them. On the other hand, I do not agree to all the outbursts of Betty against Iranian ways of life and Iranian policies (military / political). If one of the thousands of Iranians tortured in American prisons is made to write a book, then I am sure he/she might have an equally interesting tale to narrate, including the shocking American culture from the eyes of an Iranian.

This book has enough masala in it to be made into a movie and as expected it has been made into a Hollywood movie. With so much of masala in it, do you think Indian cinema would stay behind!!.. NeverJ. There are desi versions in Telugu (anthapuram) and Hindi as well (Shakti). But the desi versions are modified enough to make the hero as a nice guy, hero’s family as nice people and obviously an emotional change-of-heart for the villain at the end of the movie :-)

From the look of it, I feel that Betty is not a good writer. The strength in her content succeeds in diverting the reader’s attention away from her narrative flaws. In the middle of her thrilling experiences, she inserts some of her experiences which neither take the story forward, nor make a point in the narrative. Also, Betty’s intricate details of her cooking attempts make me wonder how she is able to remember such minute things of the kitchen amidst the day-today deathly experiences she had in Iran!!! It is also visible that she has taken help from professional writers after finishing her writing to arrange the book in an interesting format. There are flashbacks inserted at certain points which seemed to be forcibly added to make the narrative sound interesting.

Did Betty finally get out of Iran and reach America safely at the end? Well, if she is able to write a book which has so much against Iran and Iranians, then I am sure she did that after entering USA :-) . I suggest you all to read this book without fail. It not only gives you an insight into the life of a country which is shielded from the glare of the International media, but it highlights how important is freedom for an individual and to what extreme a person can push herself to achieve it in one of the worst possible circumstances that a person can be in. Go for it!!!

On a wilder thought, I always feel that a happy story has only one version while a sad story has as many versions as the number of people involved in it. Since this is a horribly sad story, I wonder if we need to sympathize with Betty without hearing her husband’s version of the story. Who knows, Betty might actually be the villain who cooked up an interesting story for us with the confidence that nobody would anyways get access to her husband in Iran :-) …..I wonder if I should make a trip to Iran just to meet her husband and write a book on his behalf titled ,”Not without my Daughter, but without my wife for sure”  :-) :-)

Jokumaaraswaami - Dr. Chandrashekar Kambara

When you are tired of reading modern day stories and looking for something different or interesting, folk tales can be a good option. If the folk tale turns out to be good, then it wont be surprising to see you pick up more folk tales for your next reading. "jOkumaaraswaami", written by Dr. Chandrashekar Kambara, is one such interesting folk tale.

This 70 page short play written in rural kannada language , is about infidelity, power, romance and rebellion in a male dominated society of rural karnataka. It talks about the numerous misadventures of a landlord across the village while the landlady goes on with a single jackpot adventure of her life :).. Even though most part of the story unfolds in a single day and there is hardly any scope to describe a character in the play, the dialogues are so well written that one gets a fair idea of each character in the play just by their conversation. If an author can make a reader picturize his characters just by the conversation in a play, then the author is successful in getting the reader involved into the story.

A special highlight of this play is that the conversations are a mix of dialogues and songs. The songs are well written and placed at some crucial moments where the reader can appreciate the situation better and take the play to much more imaginative level by interpreting the feel of the songs in his own way. Its a way of giving a poetic touch to a play and I feel that Mr.Kambar has done it aptly in this play.

In the latest edition of this book, Kambar gives details of when this play was first performed and which actor did what role. If you know these actors well, then you will surely visualize them while reading the book. For example, Girish Karnad performed the role of landlord in the play and few pages into this play, I could imagine Karnad performing the act in front of me. It is common that we unknowingly start giving a face to the characters of a book while reading depending on whom our mind would recollect while reading about the character. In this case, the author makes it easy for us by giving a face to his characters before the play begins.

Worth reading and you will like it as well.

Director's Special - GuruPrasad

Some people think different!! and they do it all the time. One such person is kannada writer/director Guruprasad. He is famous for his 2 kannada movies MATA and EDDELU MANJUNATHA. In his first book "Director's special", he comes up with a collection of short stories which are "different" from the routine stories which we get to read normally.

The book consists of 18 write-ups consisting of short stories, his reviews and his personal experiences in the film industry. As I would not want to comment on his individual opinions, I would like to keep this reviews strictly for his short stories. Each of the handful of stories in this book succeeds in keeping your interest till the end and make sure that you have a smile on your face by the end of the story. Though a couple of stories turn out to be sore thumbs, the rest of the stories easily make up for it.

Of all the interesting stories, 2 of them need a special mention. The stories dealing with (untold story in ramayaNa) and (husband's prayer to God) are innovative and shows the author's talent in thinking out of the box. The first thought that came to my mind after reading these stories was ," how can he come up with such a thought"...There are 2 kinds of writers who can bring freshness to story writing. One write a known/familiar story with a fresh presentation while another write a new story / situation altogether. Guruprasad belongs to the latter group .

One common point in all the stories is that the author does not try to give a message or force his thoughts on the readers in any of his stories. They are simple figments of the author's wild imaginations which will make the readers sit back and think about the story in his own way. I sincerely feel that a thinking person like Guruprasad should soon come up with a full fledged collection of short stories and feed us with some more innovative, but interesting stories.

Read it without a miss if you like short stories with a difference

Kiragoorina gayyaaLigaLu - K PoorNachandra Tejaswi

"Kiragoorina gayyaaLigalu", a collection of 4 short stories in Kannada by K.P. PoorNachandra Tejaswi, is a mixed bag. Of the 4 stories, 2 are good ( krishNegowDana aane, maayamruga), 1 is average ( kiragoorina gayyaaaLigaLu) and i dont know why he wrote the 4th story(vishwana prapancha)!!

A commonly observed point in Tejaswi's writings is that the back drop of a story is just a premise which he uses to reflect upon the various faces of our society, in his signature humorous style. KrishNegowDana aane is one such story which is based on the troubles faced by the residents of small town due to the elephant owned by krishNegowDa. With this back drop Tejaswi takes a dig at the the functioning of various government bodies ( electricity, telephone, corporation, hospital) and the rivalry between them,As always, Tejaswi boosts the story with loads of dialogues which are not only humorous , but also takes a sarcastic look at the deficiencies in the system that is around us in our every day life. This one surely is worth a read.

"Maayaamruga" is a very smart story of 2 people who decide to spend a night in a graveyard to prove that there is nothing called the GHOST. The story moves as a conversation between 2 friends and as a part of conversation, Tejaswi makes his wild statements which are not only funny , but will also make you think. He questions our preset notion about the existence and appearance of ghosts and gives a tacky reply to those questions as well. Though short in length, this one is interesting enough to have been selected as "one of the ten best short stories in India " at the time of its publication.

"Kiragoorina gayyaaLigalu" is a case of mismatch between the story and its title. Its like a much publicized Rajnikanth movie where Rajni comes only in beginning and the end, while the rest of the movie is about some other guy. This story is not about the nasty women in kiragooru, but is about the misadventures of the men in that village.The story is interesting whenever the women are in the scene. This is on story where i felt that Tejaswi could not bring in his magic touch to the writing. The story goes everywhere, but ends up nowhere. This one is sure to disappoint hard-core fans of Tejaswi. The non-fans won't be happy either :)

"vishwana prapancha" is a very short story which has nothing to take away from it. Once you read the story, you are clueless as to what the author is trying to say in this story and will be happy that the story was the shortest in the book.

Overall, this one has a couple of good stories, but it doesn't fit into the list of great books that we expect from Tejaswi. I feel that every good writes ends up writing some stories which are not upto his own standards. Its upto the writer to decide whether he keeps it to himself or publish it as well. Tejaswi seems to have done the latter!!

Jugaari Cross - K PoorNachandra Tejaswi

JUGAARI CROSS- a kannada novel written by K. PoorNachandra tejaswi, is yet another interesting book from the author which can surely be accepted as one of his best! This 225 page creation has everything it takes to be called a fantastic thriller and keeps you hooked on to it till the last page.

To begin with, Jugaari cross is a slow starter. The first 30 pages give you a glimpse of random people, places and incidents which one cannot comprehend easily. If you are not a patient reader, then there is a good possibility that you might think of stopping to read it. In case you think so while reading the book, I suggest you to manage with it as what you would read after that is an engaging thriller which would not let you leave the book till you finish it. Once you reach the end of the book, you will be able to relate to the first 30 pages in the book, hence appreciating the need for so much detailing in those pages. The genius of Tejaswi is seen in abundance once the story takes off with the principal characters coming into picture. Tejaswi gives you enough open points to ponder till the end and once he reaches the end, he makes sure that you are happy about the way it has ended though it is something not easy for us to guess.

The story is based on the smuggling mafia in the forests around jugaari cross. It is about a couple, who unknowingly get entangled in the dark world of smuggling without any idea of what is happening to them for most part of the story. Through the experiences faced by the main characters in this book over 24 hours, the author sketches the intricate details of the smuggling business and its effect on people from various sections of society. The best part of the book is that it makes the readers think at every stage of the story as to what will happen next. And, Tejaswi takes care to see that our guesses are mostly wrong by throwing in surprising twists to the proceedings and making it a riveting thriller. For the delight of the reader, the main protagonist SURESHA happens to be a thinking guy who tries to find a rationale behind all that he is going through. With every logical thought of SURESHA, the author makes sure that you are sucked into the world of jugaari cross by being a shadow of SURESHA in his thoughts.

As always, Tejaswi mirrors the apathy in our society in an excellent way through his characters and their situations. On keen observation, once can notice the intricate detailing of Tejaswi w.r.t places and automobiles. When it comes to automobiles / machines, Tejawi gives details till the last nut and bolt irrespective of whether it is required or not J

With so much of description above, I have made sure not to give even a little bit of information abou the actual story with the intention that you would read it for sure. In case you decide to read this, I assure you that you will be happy at the end about reading a very interesting thriller.

Zaraa si baat

Lehron ki tarah
Meri zindagi mein aaye,
kuch dher ki mulaqat thi
aur phir chale gaye.

Dil mein kitne armaan jage
Sapnon ke aasmaan lage,
zara si kya baath ho gayi
tho yeh aasmaan pigal gaye.

Humne laakh koshish ki
par yeh aansoo ruke nahin,
aap tho chale gaye
jaise kuch hua hi nahin.

Yaad karthe hue woh pal
yeh dil ab bhi tadaptha hain,
hum shaayad kabhi naa mil paayenge
phir bhi aapka intezaar hain

Tuesday, August 23, 2016

Sunehri yaadon ki galiyon mein

Sunehri yaadon ki galiyon mein
aaj phir se tehelke aaye,
jisko dekhkar yeh dil dhadaktha tha
aaj us dhadkan se milke aaye.

un khuli zulfon mein khelti hui hawaaiyen
hamaare chehre ko savarthi gayee,
pyaar se pehli mulaqaat thi woh
jab hum aapki aankhon mein kaidh ho gaye

Un aankhon ki wohi sharaarat
Is dil mein aaj bhi lehren jagaa rahi hain
Saal guzar gaye, hum badal gaye
Aapki adaa aur meri aashiqui waisi hi reh gayee

Roke na ruke yeh kadam
Aapki taraf chal pade,
Saalon guzar gaye aapko dekhe hue
Ishq ki galiyon mein aaj dobaara mitne chalen

Aapki aur bhadthe hue har kadam pe
Woh saare haseen pal jhalakne lage
Jab hum dil ki baat sunaane aate the
aur aapki baaton mein, sab bhool jaate the

sau baar mile, hazaaron baatein ki
par dil mein jo baat thi, woh izhaar kar na sake
apni is dastaan ki kitaab tho likh di
par kai panne, dil mein hi chupaa liye

un panno ko kholne ka aaj mauka tha
phir bhi hum khamosh rahe
chup chupke pyar karne ka mazaa hi kuch aur hain
shaayad hum is maze mein hi mit jaayenge


Sunehri yaadon ki galiyon mein
aaj phir se tehelke aaye